RYAN GOSLING WATCHES HIMSELF ON THE MCC MOVIE
Her singing ability complements this movie greatly and her performance is not something to be missed.
RYAN GOSLING WATCHES HIMSELF ON THE MCC TV
After solidifying himself as a leading man in popular outings like “American Sniper” and “Silver Linings Playbook” - which garnered him two Oscar nominations for best actor - he is someone to look forward to seeing in “A Star is Born.”īut not taking credit away from Lady Gaga, whose incredible career in the music industry and a Golden Globe-winning performance in the TV show “American Horror Story” makes her a perfect candidate to star as the aspiring singer alongside Cooper.
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Although Cooper has never dealt his hand in directing before, the track record for actors-turned-directors has been proven excellent with famous talents such as Ben Affleck, Clint Eastwood and Mel Gibson.īased off of generally positive early reactions and a 96 percent on Rotten Tomatoes, it looks like Cooper has joined the ranks, but it isn’t to say that Coope r’s acting performance should be overlooked. The story then springs off as both of their careers become intertwined and they become romantically involved, leading to successes, failures, and a riv eting personal romance tent- poled by excellent directing and acting performances. If you aren’t familiar with the story, the basic outline follows a veteran musical idol whose career is in the early stages of decline ( Cooper) encountering a talented aspiring singer ( Gaga) who has doubts about herself and her future career. Selznick classic, starring the likes of Judy Garland (1954) and Barbara Streisand (1976), Bradley Cooper offers a fresh take on the tale 42 years later and is accompanied by breakout star Lady Gaga, and other great talents like Dave Chappelle and Sam Elliot (“The Big Lebowski”). Back down on Earth, audiences can look to be inspired by Bradley Cooper’s directorial debut “A Star is Born.” Following the similar formula are the other “A Star is Born” movies, which has been thrice remade since the 1937 David O. With an 88 percent on the review-aggregation website Rotten Tomatoes, “First Man” has great potential for success and looks like the movie to beat in the upcoming Oscar season. In the vein of popular movies such as “The Right Stuff” and “Apollo 13, ” “First Man” takes a familia r cinematic storyline about America’s heroes bravely venturing into the depths of space, and turns it into an intimate, human-oriented, historical drama focusing on the sacrifices and stakes of implementing the dauntin g ordeal or space travel and its effects on the psyches of the famous astronauts, Neil Armstrong and Buzz Aldrin - who dared to take up the mantle.Īfter his Oscar-nominated performance in “La La Land,” Ryan Gosling returns to star in Chazelle’s work as Neil Armstrong himself and is joined by talents such as Claire Foy (“The Crown”) and Jason Clarke (“Zero Dark Thirty”) among others. Apart from personal stories, TIFF’s roster has some more visceral pieces, such as Damian Chazelle’s “First Man.” Chazelle is a celebrated up-and-coming director who made waves with his directorial debut wit h the award-winning “Whiplash.” After his l ast year’s effort, “La La Land” proved to audiences that he is very esteemed direct or who could smoothly navigate through a modern musical while providing unique visual style and seamless grace in directing Chazelle returns with what many critics and reviewers are calling one of the best movies of the year.
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So, what should you be watching this year? Swathes of fans and journalists alike have an opportunity to finally placate their anticipation and enjoy some of the year’s best work, coming in all sorts of genres from a thrilling piece of horror nostalgia in the new “ Halloween” to a deeply personal exploration of addiction in the drama “Beautiful Boy.” This festival’s extensive collection of films provides the additional ability for the film press to anticipate the Oscar season, as i t is a great ind icator as to which films could have a chance to be part of the highly prestigious and competitive Oscar race. 6 to 16, TIFF’s 10-day cinematic experience is bustling with new creative outings from both veteran and rookie filmmakers showcasing their talent as well as their compelling cultural, personal and sometimes political agendas. The Toronto International Film Festival is part of thei r extensive pre-season fervor.
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For many film pundits, this is their regular season football, the Oscars ceremony is their Superbowl, and the movies are their teams. With all of the enthusiasm for the popular sports seasons intertwined with the quite eventful holiday season, it is very easy to lose track of the film indust ry’s bi ggest and most important period of the year Oscar season.
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The end of the year i s usually a great time for festivities because there are usually many different choices.